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← My LearningπŸ“– English Β· Year 10Texts in Conversation: Read Critically, Compare Deeply, Write Ready

Reading Against the Grain

🎯 Today's mission briefing

We are learning to read texts critically β€” auditing whose voices are present and absent, identifying whose interests a text serves, and producing both a dominant and a resistant reading.

You'll know you've got it when:

  • I can audit a text for present and absent voices, and explain what each absence does to the version of events the reader receives
  • I can identify who benefits from a text's construction β€” its selections, emphases and silences β€” and support the claim with textual evidence
  • I can articulate a text's dominant reading and construct a resistant reading, without collapsing 'critical' into 'negative'

Who got a microphone?

Connects to what your guest already knows and makes them curious. Activating prior knowledge is one of the strongest predictors of new learning.

A media release lands in your local news app: 'Harbourside Rising: the $400 million marina precinct set to transform our waterfront.' It's beautifully made. The mayor calls it 'a once-in-a-generation opportunity'. The developer's CEO promises 'twelve hundred jobs and a world-class dining scene'. An artist's render shows golden-hour water and not a single cloud. Now run one question over it β€” the question this whole lesson trains: who got a microphone? Two speakers: the mayor and the CEO, the two people who most need this to happen. Now the harder question: who didn't? The families in the flats behind the site. The fishers who work that water. The Traditional Owners of that shoreline. The marine scientist who reviewed the dredging plan. None of them are lying in this article β€” they're just not in it. By the end of today you'll be the kind of reader who hears the missing voices before the quoted ones, which is a strange superpower, because it means you can never quite read the news the old way again.

Every text is a room with a microphone. Critical literacy is noticing who was handed the mic, who was seated in the audience, and who was never invited into the building.